enzorukin ([info]enzorukin) wrote,
@ 2007-11-19 17:06:00
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i have become increasingly frustrated lately with my inability to recreate what i see around me. just, you know, a pretty leaf or some crazy cloud or something. why do our bumbling, selfaware selves have this innate need to try and communicate the intangible? look what i found, look how red it is, look how it's shiny on this side, it makes me want to cry, i'm going to paint/photograph/write about it so that it'll make you want to cry too. we can't wear eachothers' eyes like glasses, but i think we can get a pretty good idea sometimes. so what happens when you don't have a medium? do you just choose one arbitrarily? i give up so goddamned easily that i'd just end up covered in red paint, crying because it's not bright enough. what happens if you're lazy, or have no attention span? you shouldn't have to think about art, right? it should just come spilling out like a nosebleed all over the place. i've never been good at doing things without over-thinking them. maybe i should learn to draw in my sleep.

oh, speaking of sleep, i had the greatest

i took a trip to england by myself (don't remember how it started really) and ended up on a beach. it was sunny and warm and i was quite enjoying the alone-time. i rented a sort of flotation device that was really just an oriental rug, kind of like a magic carpet but for the water. i let myself float out really far (which was fine because the rug was magic) and accidentally fell asleep while people-watching. when i woke up it was nighttime and i had drifted all the way to france*. the stars were perfectly clear and the air was warm. have you ever felt exceptionally comfortable? where it's the perfect temperature and your mind is sharp and you're sort of hyper-aware of how good everything feels? it was like that. even after i'd gotten wet from walking to shore, and even though it was night, i wasn't cold. there was a restaurant in the distance with those white christmas lights strung up and i could hear a low murmur of people talking and laughing. i walked along the beach a while until i ran into two men who directed me to the nearest airport. there's more, but that's really the only part i want to remember. it seems completely boring, but i woke up with the most incredible sense of joy.

*i recently learned (don't laugh, i am absolutely horrible with geography) that the english channel separates england and france, with france on the south side. at it's thinnest point, i think it's feasible that one could potentially float to the other side, especially with the aid of a magic carpet. in the dream, i knew i'd floated north to south, and i knew i woken up in france. now, i'd probably filed this away in my brain long ago and it was sitting there in my subconscious, but when i learned of it i was convinced i'd had an out-of-body experience and gone on some transcendental mind vacation.

ever a few weeks ago and i've forgotten to write it down. this is mainly for transcription purposes so if you get bored listening to other people talk about their dreams then you may mosey along now.



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[info]joel_priddy
2007-11-20 06:04 pm UTC (link)
I think that's a pretty good summation of the artistic impulse. If we were all telepathic, we wouldn't bother with art, which, frankly, is a really difficult, frustrating, and inefficient way of sharing experience. But we aren't, so we do.

The "nosebleed" is definitely a stage of the artistic progress. A pretty important one, too. It's hard to let go like that. It's followed by the rigorous examination-of-minutiae stage, where over-thinking is required. An issue that a lot of people run into is putting the over-thinking before the nosebleed, which just results in paralysis. It's very important to give yourself a lot of room (and permission) to make really lousy garbage during the nosebleed, knowing that it isn't for show: it's just the rough draft. Then you pore over it and pick out what's good and bad and so on.

Medium maybe isn't as important as the basic mental skills that allow for creativity in any field: 1) an openness to the experience of the world around and inside you; 2) self-permission to respond to that experience by generating material without criticism; and then, lastly, 3) the ability to scrutinize and ruthlessly craft/edit/rework/mangle that generated material until you have eliminated everything you don't want. This should leave you with something that gets you kinda close to what you wanted in the first place, and a better sense of how to get just a smidgeon closer next time. Repeat forever and ever, amen.

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[info]enzorukin
2007-11-20 06:34 pm UTC (link)
thanks, joel. i'd hoped you'd have some insight. i think you're exactly right about the paralysis of over-thinking before doing. that's exactly how it feels. i just sit here with all this information stuffing itself into me and i'm too scared to let any of it out. i don't know how to let it out, really. i just see other people's art and think "yes, that's it exactly. how the hell did they do that?" and the "how" is really the least important part, like you said.

i'm stuck at stage two, i think. i guess i should just set out a bunch of paint and paper and pens and glue and just start mashing it all together until something happens.

speaking of art, do you have a painting up at molly fontaine's? bonnie was there recently and spoke to someone who said the artist's name was joel-something, and that he was married and taught at MCA. i didn't think you painted much, but you certainly fit the description.

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[info]joel_priddy
2007-11-20 09:11 pm UTC (link)
Yes! Get some paper and paint and pens and glue and see what happens! Do it when you have the place to yourself, sometime. And don't feel any pressure to show any of it to anybody.

A good book on the who paralysis situation is Bird by Bird by Anne Lamont. It's very popular, so you should be able to find it either at the library or on a friend's bookshelf. Also useful, but slightly annoying, is Writing Down the Bones by Natalie Goldberg.

re: Speaking of art...
Geez, that sure sounds like me, but I ain't know no Molly Fontaine, so it's probably someone else.

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[info]enzorukin
2007-11-20 09:23 pm UTC (link)
it's a place owned by karen carrier (of the beauty shop and automatic slims). it used to be cielo and now it's a swank little tapas bar with great lighting and lots of art. the piece was apparently a big painting with bees or something. sounded pretty cool, but not like your art at all.

thanks for the recommendations! i'm going to amazon right now to see if they've got either on the cheap. how is the second one slightly annoying?

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